To the tight-knit community of Sainte-Adeline, Quebec, Magalie appears as a normal suburban high school sophomore surrounded by friends. But this popular teenage girl is harboring a shocking secret: she’s pregnant. When Magalie refuses to identify the father, suspicions among the townsfolk come to a boiling point and the layers of a carefully maintained social varnish eventually crack.
THE POWER OF KANGWON PROVINCE
Presented in a beautiful restoration and newly translated, Hong Sangsoo’s breakthrough second feature, THE POWER OF KANGWON PROVINCE, is an early masterwork from the prolific filmmaker. Playing with structure, perspective and time – elements that would become hallmarks of his later work – the film follows a young woman, Jisook, who, fresh off her relationship with a married man, joins two girlfriends for a vacation in the mountainous Kangwon region and quickly makes the same mistakes, tumbling into bed with a married policeman. The film then shifts to her ex, Sangwon, who happens to be visiting the same region at the same time, and threatens to cross Jisook’s path.
Stephanie, a restless and vibrant actress, meets Gerard, an NYPD counter-terrorism specialist who’s an aficionado of experimental theater (and maybe out of his mind). Flirtation ensues, ends disastrously, and forces Stephanie to the ramshackle upstate home of musician Eleanor Friedberger, yet this supposed escape is infected by violent memories of her past life. Directed by Paul Felten and Joe DeNardo, and starring Stephanie Hayes, Chloë Sevigny, Scott Shepherd and Eleanor Friedberger, SLOW MACHINE is a miniature epic of paranoia, espionage, subterfuge, music, and performance captured on lush and invigorating 16mm.
NEW FRENCH SHORTS!
Noée Abita gives a breakthrough performance as a teenage ski prodigy navigating the patriarchal world of competitive sports in Charlène Favier’s SLALOM, powerful, Cannes-selected #MeToo drama set in the world of elite skiing.
An African immigrant struggles to make a new life for himself in the big city in director-co-writerBurhan Qurbani’s (We Are Young. We Are Strong.) audacious, neon-lit reinterpretation of Alfred Döblin’s 1929 novel. After surviving his perilous journey, Francis vows to be a good man, but he soon realizes how difficult it is to be righteous while undocumented in Germany–without papers, without a nationality, and without a work permit. When he receives an enticing offer for easy money from the psychopathic gangster Reinhold (Albrecht Schuch), Francis initially resiststemptation, but eventually he is sucked into Berlin’s underworld and his life spirals out of control. –Alissa Simon
ANOTHER ROUNDPurchase Online Ticket
There’s a theory that we should be born with a small amount of alcohol in our blood, and that modest inebriation opens our minds to the world around us, diminishing our problems and increasing our creativity. Heartened by that theory, Martin and three of his friends, all weary high school teachers, embark on an experiment to maintain a constant level of intoxication throughout the workday. Initial results are positive, and the teachers’ little project turns into a genuine academic study. Both their classes and their results continue to improve, and the group feels alive again! As the units are knocked back, some of the participants see further improvement and others go off the rails. It becomes increasingly clear that while alcohol may have fueled great results in world history, some bold acts carry consequences.More Info!
FILM ABOUT A FATHER WHOPurchase Online Ticket
Over a period of 35 years between 1984 and 2019, filmmaker Lynne Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings.
With a nod to the Cubist renderings of a face, Sachs’ cinematic exploration of her father offers simultaneous, sometimes contradictory, views of one seemingly unknowable man who is publicly the uninhibited center of the frame yet privately ensconced in secrets. With this meditation on fatherhood and masculinity, Sachs allows herself and her audience to see beneath the surface of the skin, beyond the projected reality. As the startling facts mount, she discovers more about her father than she had ever hoped to reveal.More Info!