You’ve seen Steve McQueen’s LOVERS ROCK, now dive deeper into the history of Lovers Rock and the Caribbean Diaspora in ’80s UK!


BABYLON

Franco Rosso’s incendiary Babylon had its world premiere at Cannes in 1980 but went unreleased in the U.S. for “being too controversial, and likely to incite racial tension” (Vivien Goldman, Time Out). Raw and smoldering, it follows a young dancehall DJ (Brinsley Forde, frontman of landmark British reggae group Aswad) in South London as he pursues his musical ambitions, battling fiercely against the racism and xenophobia of employers, neighbors, police, and the National Front. Written by Martin Stellman (Quadrophenia) and shot by two-time Oscar® winner Chris Menges (The Killing Fields) with beautifully smoky cinematography that has been compared to Taxi DriverBabylon is fearless and unsentimental, yet tempered by the hazy bliss of the dancehall set to a blistering reggae and lovers rock soundtrack featuring Aswad, Johnny Clarke, Dennis Bovell, and more.

THE STORY OF LOVER’S ROCK

Lovers Rock, often dubbed ‘romantic reggae’ is a uniquely black British sound that developed in the late 70s and 80s against a backdrop of riots, racial tension and sound systems. Live performance, comedy sketches, dance, interviews and archive shed light on the music and the generation that embraced it. Lovers Rock allowed young people to experience intimacy and healing through dance- known as ‘scrubbing’- at parties and clubs. This dance provided a coping mechanism for what was happening on the streets. Lovers Rock developed into a successful sound with national UK hits and was influential to British bands (Police, Culture Club, UB40) These influences underline the impact the music was making in bridging the multi-cultural gap that polarized the times. The film sheds light on a forgotten period of British music, social and political history.

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